Exercise Wednesday: The Litany
by Peggy Miller
Beyond the religious definition, a litany is a recitation using a repeated phrase, and can indeed be a poem. Write a litany whose repetition is “I believe” or ” Tonight I will” or “I am” or “It happens like…” This is not to be a poem of your religious beliefs. Rather make statements like “I believe in the skitter of my brain in every direction at once.” A litany can be poem of human nature: this is an opportunity to be especially imaginative.
One thing that makes a litany pleasant to read is variation. For example, you need not say exactly “I believe” every time. You might say ‘I trust, or I hold to, or I follow,’ etc. You might also make a pleasant jumble of various content in your poem, a sequence that surprises. Another variation is the length of the statement that follows. So for instance,
“I believe in stone.
I thank the rain for apples which
upon their ripening, if unpicked too long
throw themselves to the ground in request.” pm
Maxine Kumin’s litany in this vein is “Credo” from Looking for Luck.
This week’s exercise is to write a poem that includes the elements of a litany.
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Peggy Miller, an editor with The Comstock Review, has an MFA from American University. She has conducted poetry workshops for over 15 years. Her collections include What the Blood Knows was published in 2007 and Stone Being in 2009, both from Custom Words. Peggy has published a chapbook, Martha Contemplates the Universe, Frith Press, and a Greatest Hits chapbook from Pudding House. Visit her on Facebook.
Want to be famous at the conference?
Each year, the Florida Writers Conference attracts hundreds of people to the Orlando Marriott Lake Mary for three uninterrupted days of learning about their craft and business. That’s three days of a captive audience for any product or service aimed at writers, including–potentially–yours! The conference offers many options for bringing your business to the attention of hundreds of potential customers. (I know, I keep repeating that, but it’s an important number).
You can take out an ad in the conference schedule of events. You can buy an exhibitor table at the conference. You can even choose from one of three different sponsorship levels. Ads start for as little as $50 and for $2000, you can be a platinum sponsor and have your banner displayed all weekend long in the main conference room.
And if you have a small business, an exhibitor table may be a great investment. The table will stay up for all three days of the conference, with plenty of foot traffic at each of our breaks through the day. Your product doesn’t have to be related to writers, either. You could have a table that offers massages and recoup your cost in no time flat!
For more information, click here to download our FWA Sponsorship Sheet, including contact information!
When good ideas come at bad times

That’s really me. I especially love how the wind combs itself through my hair.
I ran ten miles this morning and–
Okay, not another exercise metaphor for writing, please. PLEASE.
Relax. It’s not.
I ran ten miles this morning. Running’s a great way to let the mind go on autopilot. You fall into a sort of trance where there’s just you and the trail and, sometimes, the realization that it’s four miles back to the car and you got to cover that space to get there.
It was someplace between mile six and eight that I had a great idea–an awesome idea for a blog post. It was potentially the best idea ever for the best blog post ever. I was excited about it. Then I passed the mile marker that said I only had a mile and a half to go and my mind wandered off to other things. And I forgot that I’d even had an idea until I sat down the computer.
I’m not the first one this has happened to. My grandfather kept having these amazing dreams, but he’d forget what they were. So my grandmother told him to put a pad of paper and pencil by the bed so he could write it down when he first woke up. So he went to bed and had the dream, then woke up and wrote it down and went back to sleep. When he woke up the next morning, the pad was blank. He dreamed that he had the dream and wrote it down.
I’ve had ideas before when it’s not handy to write them down. It’s kind of hard to keep a pad of paper in the shower. And if you’re in the throes of passion and an idea pops into your head it’s bad form to ask your partner to wait a second while you write down the thought you just had.

It’s not my fault my muse only speaks to me when the kids are asleep.
Same thing if you’re about to receive communion.
“The body of Christ.”
“Hold on Father, I just got an idea that’s going to fix my plot problem.”

For the record, my cell phone has a voice recording feature, which I will use next time. That handles the running thing. The rest, I’ll just have to live with.
Do you have any tricks for remembering great ideas that come to you at inopportune times.
It’s hard to keep up with all the services the Florida Writers Association offers its members. Our nonprofit organization takes its motto—Writers Helping Writers—very, very seriously.
For instance, take our annual conference. Here you have three days of continuous activities targeted solely for your writing benefit. Some activities occur in big groups. Some are more intimate. Faculty interviews are private. We offer five interview options.
- Manuscript critiques. If you’d like an expert to give you confidential feedback on your work, schedule a manuscript critique. Simply download a critique form (there’s a link on the conference page of the FWA website), and the form will instruct you how to send your work to your chosen critiquer. During the conference, you’ll meet with your critiquer one on one. Actual critique time during the conference ranges from 30 minutes to 90 minutes, depending on your choice of faculty. See http://shop.floridawriters.net/category.sc?categoryId=37.
- Special consultations. This is an interview with Bobbie Christmas, professional book coach and editor. Bobbie also heads FWA’s Editors Helping Writers editing service for members. Bobbie can assist with all genres: See http://shop.floridawriters.net/category.sc?categoryId=38.
- Faculty consultations. Anything goes here—well, almost. You may ask the faculty member of your choice how they got published, what advice they have about writing or publication, what they think of something you’ve written, or anything else on your mind. You’ll notice that our cadre of Featured Faculty covers a wide range of expertise, including medical, legal, genre writing, editing, marketing, and more. See http://www.floridawriters.net/uploads/Faculty_bios_workshops_2013_05_09.pdf.
- Pitch practice sessions. If you ever plan to pitch your work, we suggest you book an interview with Chantelle Osman. Although Chantelle’s company specializes in screenplays, she’s qualified and willing to coach writers of all genres. You may purchase sessions of 15 or 30 minutes. News flash: Chantelle is also offering a three-hour workshop on pitching the day before the conference: Thursday, October 17. See http://shop.floridawriters.net/category.sc?categoryId=36.
- Interview with agent, publisher, or acquisition editor. Here you’ll have ten minutes to pitch your work. These agents and publishers are actively seeking clients, so if you pitch them, we suggest you be prepared! Many resources offer tips, including our own FWA blog: http://floridawriters.wordpress.com/2011/08/30/pitching-and-querying-words-from-an-agent/, http://floridawriters.wordpress.com/2011/10/11/pitching-at-the-conference-start-preparing-now/. It’s important also to research your target agent or publisher to understand what they want. See http://shop.floridawriters.net/category.sc?categoryId=32.
In future posts, we’ll spotlight particular faculty and opportunities. The conference, BTW, runs from October 18-20, 2013, at the Orlando Marriott Lake Mary. Check the FWA website, www.floridawriters.net, for details.
Do you want meet with a faculty member? What questions would you ask about writing or publishing? What tips would you like?
Publisher threatens librarian with a billion-dollar lawsuit
OMICS Publishing Group has threatened to sue University of Colorado research librarian Jeffrey Beall, for one billion dollars over blog posts in which Beall called them predatory. According to Beall, OMICS charges professors trying to publish their work a handling fee that requires them to pay thousands of dollars if their work is published. OMICS is an Indian-based publisher, and the legal threat came from an Indian law firm. According to The New York Times, OMICS charges authors as much as $2,700 to publish a paper.
What this means to Jeffrey Beall: According to the threat, he could get arrested if he ever goes to India. It also gives him a chance to work on his Dr. Evil imitation (with a slight adjustment).
What this means to you: It’s further proof that you need to beware and read the fine print of any contract you consider signing with anyone in this industry. The drive to publish in academia is at least as strong as the drive we face to publish. That means desperation, which means predatory business practices. And there’s always the Dr. Evil thing.
Apple, DOJ (surprise!) disagree in filings before lawsuit filing
In a shocking development (you should be shocked, I tell you), Apple and the Department of Justice have filed substantially different versions of the events that led to the adoption of the agency model for e-book pricing. According to the DOJ, Apple was the ringleader in the collusion, pushing the publishers (who’ve settled with the DOJ) to accept the new pricing model. The DOJ brief included references to Apple’s alleged attempts to push HarperCollins, Random House, and Penguin to the agency model. According the Apple’s brief, the publishers had already decided to end the heavy discount of e-books before Apple approached them. The trial is slated to begin on June 3.
What this means to you: Overall, it doesn’t mean much. It’s a filing before the trial. Given that the publishers have settled already, the after-effects of the trial are probably limited. The pricing approach for e-books doesn’t seem to have shifted a lot, though. The ultimate outcome of the trial, however, could affect Amazon’s long-term influence over e-book pricing.
For the first time, kids dig e-books more than hard copy
In the Star Trek universe, the Borg are formerly humans, assimilated into an computer-organic collective. Resistance, the Borg say, is futile. A recent study of 8-to-16-year-olds in the UK indicates that the Borg encroaching on us in the real world, as well. The study has found that for the first time, kids who use read with electronic devices outnumber kids using physical books, 39 to 28 percent. However, the kids who read physical books are nearly twice as likely to be above-average readers than those using e-books. Kids who read physical books are nearly four times more likely to say they enjoy reading as those using electronic means.
What this means to you: Based on our family’s experience, your mileage may vary. The first book my son (14 at the time) got for his Nook was Moneyball, not something below-average readers his age would embrace. Assuming it doesn’t vary, it could mean that you need to follow what the National Literacy Trust, which ran the survey, suggests and work with your kids to read more physical books. But it also re-enforces a point that’s been made about a gazillion times about the digital revolution and attention spans, for all ages. As our lives become more digital and faster paced, what we digest has gotten shorter and less complex.
The truth about revisions
From long before the time I wrote the first post on this high-quality Internet product, I have held to the fundamental truths that I’m not good at revisions and that I’m horrible at proofreading my own work.
I was wrong.
And if you hold to those “truths,” odds are very good that you’re wrong, too. It took writing professionally to figure this out.
I’m actually bad at a lot of things. I can’t hit a curveball worth a damn. Or throw one. I can’t do scrimshaw very well and I’m absolutely horrible at painting pictures. My long game stinks and my short game is actually worse. And if you listened to me try to play the piano, you’d double your respect for Stevie Wonder and Ronnie Milsap.
All of these things have one very important thing in common–hitting a baseball, scrimshaw, painting, and golfing aren’t things I’ve worked at. There are people who can do all those things, and while many of them are blessed with talent in those areas, they also work at them. A lot.
Take a look at guys who play baseball for a living. They’ve practices for tens of thousand of hours. They wear out the nets they’re hitting baseballs into. They go through hundreds of balls and maybe dozens of bats. They’re the kids whose mothers call them in because it’s too late, or too cold, or raining to hard. They work at it harder than anyone thinks is reasonable and appropriate. And then when they finish that, they work on it some more.
It’s the same with revisions and proofreading. The reason I suck at revisions and proofreading is that I do what’s reasonable and I move onto the next thing. I don’t do the equivalent of hitting while it’s too late or too cold or raining too hard.
It’s quite simple. The way you do revisions is that you do it, and then you do it again. And then you do it again. And you make notes as you go through, where you call out things that might not fit with other things. Then you do compare those things. And then you fix them and read it again. And then you read it again and look for other things that might not fit together and resolve them. And then you do it again and again and again and again.
You do it until it’s as close to perfect as you can possibly get it.
And to be honest, I haven’t done those things. I guess I’ve been lazy. Or misinformed. Or naive.
In reality, it doesn’t matter what I’ve been. It matters what I know now and what I do with it.
How about you? Are you doing everything you should for revisions? Proofing? Writing?
If not, why not?
Because if you’re going to make it, you’ve got to be that kid down the street with blisters on his hands and a mom who thinks he’s nuts to be standing out in the rain hitting a baseball for the 43 millionth time.


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